<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> <html> <head> <title>UTas ePrints - Playing the White Man: Ronald Merrick, Whiteness, and Erotic Triangles in Paul Scott’s Raj Quartet</title> <script type="text/javascript" src="http://eprints.utas.edu.au/javascript/auto.js"><!-- padder --></script> <style type="text/css" media="screen">@import url(http://eprints.utas.edu.au/style/auto.css);</style> <style type="text/css" media="print">@import url(http://eprints.utas.edu.au/style/print.css);</style> <link rel="icon" href="/images/eprints/favicon.ico" type="image/x-icon" /> <link rel="shortcut icon" href="/images/eprints/favicon.ico" type="image/x-icon" /> <link rel="Top" href="http://eprints.utas.edu.au/" /> <link rel="Search" href="http://eprints.utas.edu.au/cgi/search" /> <meta content="Crane, Ralph J." name="eprints.creators_name" /> <meta content="Ralph.Crane@utas.edu.au" name="eprints.creators_id" /> <meta content="article" name="eprints.type" /> <meta content="2007-10-29 00:41:38" name="eprints.datestamp" /> <meta content="2008-02-06T23:52:31Z" name="eprints.lastmod" /> <meta content="show" name="eprints.metadata_visibility" /> <meta content="Playing the White Man: Ronald Merrick, Whiteness, and Erotic Triangles in Paul Scott’s Raj Quartet" name="eprints.title" /> <meta content="pub" name="eprints.ispublished" /> <meta content="410000" name="eprints.subjects" /> <meta content="220000" name="eprints.subjects" /> <meta content="419900" name="eprints.subjects" /> <meta content="restricted" name="eprints.full_text_status" /> <meta content="In his seminal Survey of Anglo-Indian Fiction Bhupal Singh suggests that ‘‘strictly speaking’’, the term Anglo-Indian fiction ‘‘means fiction mainly describing the life of Englishmen in India’’.1 Paul Scott’s Raj Quartet,2 which as Sabina Sawhney (amongst others) has noted, is ‘‘populated almost exclusively by the British’’, clearly fits this narrow definition of the genre. Sawhney goes on to suggest that Scott’s ‘‘monocular vision reinforces the Western European and North American prejudices of the relative importance of various peoples’’." name="eprints.abstract" /> <meta content="2004" name="eprints.date" /> <meta content="The Journal of Commonwealth Literature" name="eprints.publication" /> <meta content="39" name="eprints.volume" /> <meta content="19" name="eprints.number" /> <meta content="20-28" name="eprints.pagerange" /> <meta content="10.1177/002198904043284" name="eprints.id_number" /> <meta content="TRUE" name="eprints.refereed" /> <meta content="0021-9894" name="eprints.issn" /> <meta content="http://dx.doi.org/10.1177/002198904043284" name="eprints.official_url" /> <meta content="1 Bhupal Singh, A Survey of Anglo-Indian Fiction, London: OUP, 1934, p. 1. 2 The Jewel in the Crown, London: Arrow, 1999 (1966); The Day of the Scorpion, London: Arrow, 1999 (1968); The Towers of Silence, London: Arrow, 1999 (1971); A Division of the Spoils, London: Arrow, 1999 (1975). Subsequent references are to these editions and will be cited in the text. 3 Sabina Sawhney, ‘‘The Jewels in the Crotch: The Imperial Erotic in The Raj Quartet’’, in Sexy Bodies: The Strange Carnalities of Feminism, ed. Elizabeth Frosz and Elspeth Probyn, London and New York: Routledge, 1995, p. 196. 4 In using the term ‘‘Index of Whiteness’’ I am deliberately echoing the term ‘‘Index of Nigrescence’’ used by Dr John Beddoe to distinguish the races of Britain in the late nineteenth century. For more information on Beddoe’s ‘‘Index of Nigrescence’’ see, for example, Anne McClintock, Imperial Leather: Race, Gender and Sexuality in the Colonial Context, New York and London: Routledge, 1995, p. 52. 5 David Rubin, After the Raj: British Novels of India since 1947, Hanover and London: University Press of New England, 1986, p. 136. 6 Rene´ Girard, Deceit, Desire and the Novel: Self and Other in Literary Structure, trans. Yvonne Freccero, Baltimore, MD: Johns Hopkins UP, 1965. 7 Eve Kosofsky Sedgwick, Between Men: English Literature and Male Homosocial Desire, New York: Columbia UP, 1985, p. 27. 8 After the Raj, p. 141. 9 See Homi Bhabha, ‘‘Of Mimicry and Man: The Ambivalence of Colonial Discourse’’, in The Location of Culture, London and New York: Routledge, 1994, pp. 85–92. 10 Merrick is thus a mimic man, too, white in everything but class rather than colour. 11 Between Men, p. 21. 12 There is a suggestion here, of course, that Merrick had been physically attracted to Ahmed as he had earlier been to Hari, though there is no scene which directly parallels the earlier one where Merrick first sees Hari, stripped to the waist, washing at the pump in the courtyard of the Sanctuary. 13 It is perhaps no surprise that Sarah, like Daphne, finds Ronald Merrick distasteful. 14 I am indebted to Eddy Kent, an MA student in my 2001 graduate class on whiteness and the Raj Quartet, for alerting me to the pattern and importance of the many references to Gaffur in Scott’s novels. 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ISSN 0021-9894" name="eprints.citation" /> <meta content="http://eprints.utas.edu.au/2350/1/playingthewhiteman.pdf" name="eprints.document_url" /> <link rel="schema.DC" href="http://purl.org/DC/elements/1.0/" /> <meta content="Playing the White Man: Ronald Merrick, Whiteness, and Erotic Triangles in Paul Scott’s Raj Quartet" name="DC.title" /> <meta content="Crane, Ralph J." name="DC.creator" /> <meta content="410000 The Arts" name="DC.subject" /> <meta content="220000 Social Sciences, Humanities and Arts - General" name="DC.subject" /> <meta content="419900 Other Arts" name="DC.subject" /> <meta content="In his seminal Survey of Anglo-Indian Fiction Bhupal Singh suggests that ‘‘strictly speaking’’, the term Anglo-Indian fiction ‘‘means fiction mainly describing the life of Englishmen in India’’.1 Paul Scott’s Raj Quartet,2 which as Sabina Sawhney (amongst others) has noted, is ‘‘populated almost exclusively by the British’’, clearly fits this narrow definition of the genre. Sawhney goes on to suggest that Scott’s ‘‘monocular vision reinforces the Western European and North American prejudices of the relative importance of various peoples’’." name="DC.description" /> <meta content="2004" name="DC.date" /> <meta content="Article" name="DC.type" /> <meta content="PeerReviewed" name="DC.type" /> <meta content="application/pdf" name="DC.format" /> <meta content="http://eprints.utas.edu.au/2350/1/playingthewhiteman.pdf" name="DC.identifier" /> <meta content="http://dx.doi.org/10.1177/002198904043284" name="DC.relation" /> <meta content="Crane, Ralph J. (2004) Playing the White Man: Ronald Merrick, Whiteness, and Erotic Triangles in Paul Scott’s Raj Quartet. The Journal of Commonwealth Literature, 39 (19). pp. 20-28. 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Quartet</h1> <p style="margin-bottom: 1em" class="not_ep_block"><span class="person_name">Crane, Ralph J.</span> (2004) <xhtml:em>Playing the White Man: Ronald Merrick, Whiteness, and Erotic Triangles in Paul Scott’s Raj Quartet.</xhtml:em> The Journal of Commonwealth Literature, 39 (19). pp. 20-28. ISSN 0021-9894</p><p style="margin-bottom: 1em" class="not_ep_block"></p><table style="margin-bottom: 1em" class="not_ep_block"><tr><td valign="top" style="text-align:center"><a href="http://eprints.utas.edu.au/2350/1/playingthewhiteman.pdf"><img alt="[img]" src="http://eprints.utas.edu.au/style/images/fileicons/application_pdf.png" border="0" class="ep_doc_icon" /></a></td><td valign="top"><a href="http://eprints.utas.edu.au/2350/1/playingthewhiteman.pdf"><span class="ep_document_citation">PDF</span></a> - Full text restricted - Requires a PDF viewer<br />246Kb</td><td><form method="get" accept-charset="utf-8" action="http://eprints.utas.edu.au/cgi/request_doc"><input value="3007" name="docid" accept-charset="utf-8" type="hidden" /><div class=""><input value="Request a copy" name="_action_null" class="ep_form_action_button" onclick="return EPJS_button_pushed( '_action_null' )" type="submit" /> </div></form></td></tr></table><p style="margin-bottom: 1em" class="not_ep_block">Official URL: <a href="http://dx.doi.org/10.1177/002198904043284">http://dx.doi.org/10.1177/002198904043284</a></p><div class="not_ep_block"><h2>Abstract</h2><p style="padding-bottom: 16px; text-align: left; margin: 1em auto 0em auto">In his seminal Survey of Anglo-Indian Fiction Bhupal Singh suggests that ‘‘strictly speaking’’, the term Anglo-Indian fiction ‘‘means fiction mainly describing the life of Englishmen in India’’.1 Paul Scott’s Raj Quartet,2 which as Sabina Sawhney (amongst others) has noted, is ‘‘populated almost exclusively by the British’’, clearly fits this narrow definition of the genre. Sawhney goes on to suggest that Scott’s ‘‘monocular vision reinforces the Western European and North American prejudices of the relative importance of various peoples’’.</p></div><table style="margin-bottom: 1em" border="0" cellpadding="3" class="not_ep_block"><tr><th valign="top" class="ep_row">Item Type:</th><td valign="top" class="ep_row">Article</td></tr><tr><th valign="top" class="ep_row">Subjects:</th><td valign="top" class="ep_row"><a href="http://eprints.utas.edu.au/view/subjects/410000.html">410000 The Arts</a><br /><a href="http://eprints.utas.edu.au/view/subjects/220000.html">220000 Social Sciences, Humanities and Arts - General</a><br /><a href="http://eprints.utas.edu.au/view/subjects/419900.html">410000 The Arts > 419900 Other Arts</a></td></tr><tr><th valign="top" class="ep_row">Collections:</th><td valign="top" class="ep_row">UNSPECIFIED</td></tr><tr><th valign="top" class="ep_row">ID Code:</th><td valign="top" class="ep_row">2350</td></tr><tr><th valign="top" class="ep_row">Deposited By:</th><td valign="top" class="ep_row"><span class="ep_name_citation"><span class="person_name">Scholarly Publications Librarian</span></span></td></tr><tr><th valign="top" class="ep_row">Deposited On:</th><td valign="top" class="ep_row">29 Oct 2007 11:41</td></tr><tr><th valign="top" class="ep_row">Last Modified:</th><td valign="top" class="ep_row">07 Feb 2008 10:52</td></tr><tr><th valign="top" class="ep_row">ePrint Statistics:</th><td valign="top" class="ep_row"><a target="ePrintStats" href="/es/index.php?action=show_detail_eprint;id=2350;">View statistics for this ePrint</a></td></tr></table><p align="right">Repository Staff Only: <a href="http://eprints.utas.edu.au/cgi/users/home?screen=EPrint::View&eprintid=2350">item control page</a></p> </td></tr></table> </div> <!-- InstanceEndEditable --></td> </tr> <tr> <td><!-- #BeginLibraryItem "/Library/footer_eprints.lbi" --> <table width="795" border="0" align="left" cellpadding="0" class="footer"> <tr valign="top"> <td colspan="2"><div align="center"><a href="http://www.utas.edu.au">UTAS home</a> | <a href="http://www.utas.edu.au/library/">Library home</a> | <a href="/">ePrints home</a> | <a href="/contact.html">contact</a> | <a href="/information.html">about</a> | <a href="/view/">browse</a> | <a href="/perl/search/simple">search</a> | <a href="/perl/register">register</a> | <a href="/perl/users/home">user area</a> | <a href="/help/">help</a></div><br /></td> </tr> <tr><td colspan="2"><p><img src="/images/eprints/footerline.gif" width="100%" height="4" /></p></td></tr> <tr valign="top"> <td width="68%" class="footer">Authorised by the University Librarian<br /> © University of Tasmania ABN 30 764 374 782<br /> <a href="http://www.utas.edu.au/cricos/">CRICOS Provider Code 00586B</a> | <a href="http://www.utas.edu.au/copyright/copyright_disclaimers.html">Copyright & Disclaimers</a> | <a href="http://www.utas.edu.au/accessibility/index.html">Accessibility</a> | <a href="http://eprints.utas.edu.au/feedback/">Site Feedback</a> </td> <td width="32%"><div align="right"> <p align="right" class="NoPrint"><a href="http://www.utas.edu.au/"><img src="http://www.utas.edu.au/shared/logos/unioftasstrip.gif" alt="University of Tasmania Home Page" width="260" height="16" border="0" align="right" /></a></p> <p align="right" class="NoPrint"><a href="http://www.utas.edu.au/"><br /> </a></p> </div></td> </tr> <tr valign="top"> <td><p> </p></td> <td><div align="right"><span class="NoPrint"><a href="http://www.eprints.org/software/"><img src="/images/eprintslogo.gif" alt="ePrints logo" width="77" height="29" border="0" align="bottom" /></a></span></div></td> </tr> </table> <!-- #EndLibraryItem --> <div align="center"></div></td> </tr> </table> </body> </html>